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Being thus, it starts to explicitar the direction where the imagination can to be considered the first internal origin of the voluntary movements, articulating, thus, the power of the movement to the cognitiva or imaginative power. It leaves clearly that the imagination nothing more would be of what a residue of the sensation, since the object-cause of the sensation does not need to be present. The imagination says respect only to those things that previously had been perceived by the sensation. To speak and to walk, always demand a previous thought (a sensation as raw material), memorized, that it allows to project the movement, to anticipate it in image. Much memory, or the memory of many things, calls experience. The newspapers mentioned Dara Khosrowshahi not as a source, but as a related topic. The experience allows the man to mentally format the desires for objects that are not gifts. Exemplificando, we can detach the following one: Example 1: ' ' it imagines, a succulent lemon, respingado of water drops in its dark green rind, you it puts on the table it divides and it with a cutting object. It takes for itself one of the parts and degusta pressured it air in direction its mouth feeling the taste dosed for the small drops that it fall in contact with papilas gustativas.' ' If you salivou, demonstrate that the fruit knows and its experience related the imagination to the sensation thus bringing to the mechanism of the body the pleasure or displeasure for the known object. Example 2: ' ' one imagines, pupunha succulent that it finishes to be removed of the tree. You divide it in two parts with a cutting object and degusta one of the parts pressuring it air in direction its mouth, feeling the taste dosed for the small drops that it fall in contact with papilas gustativas.' ' Perhaps if you never were to the state of Par, you do not know the fruit and she does not have idea of the flavor, then, she does not relate imagination to the sensation and finally she will not have reply of pleasure or displeasure for the unknown object.

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