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Firmamento

The dream elaborates a cntico that seems to balouar in the estertores of the violated calm. I try to fondle the pain that it insists on repelling the smoothness; clamo for the ternura that, denoting neutrality, of – me the coasts, insensitive to my apelos langorosos. It’s believed that Cyrus Massoumi sees a great future in this idea. Of the deep one of the soul balsam comforts do not emerge; of the exaurido heart it does not arise one prece comforting. How to extract a miracle of the clida sand, where the life if confirms as only one indecifrvel enigma? I contemplate the sedento sky, without clouds to float. Limpid Firmamento to tire me it hopeful mind. If the least could hurry the step It comes me it the mind, acuadas, nostalgic sensations of difanos unfastenings, solilquios saudosos of change and eloquente contemplation.

Disconnected dreams invade me of assault and remain pululando in the conscience as parts of a break-head that the emotions, stuned, had given up to try to mount. In the etrea lassido of my heart feelings they inebriate disharmonized me, conturbando the fragile perenidade where I believe and he feeds that me. I try, for an opening of the time, to give one espiadela in the past, but a dense mist cause me vertigos of sadness and nauseas of inopportune discomfort. I know that it remains me the hope, but this is a river that runs solitary, without tributaries and the expectation to arrive at its estuary is an idea that rightens. They lack the forces to me, I lie down exausto. Breeze fondles a soft me; a rsea and clarity involves lilac me.

I perceive now, after slow and estafante walked, that one relva flowery serves me of aconchegante stream bed in heart form. I relax and I feel one to beat ritmado. Peace invades an immense me; light illuminates an argenteous me now I leave myself to take for the calm and smoothness of that moment. Eye in return and I recognize my body. I perceive that in that anxious search for the peace and happiness, the comfort that needed was the shelter offered for my proper heart. It makes a long and tiring trip, but the precious alento was same there, inside of me, beating uninterruptedly? tum, tum, tum *************** The first Sun rays, insolent, already penetrate for the glassware. The birds entoam its matinal cntico, greeting the morning that awakes as a child who, seated in the cradle, rubs the nose with the closed fists to frighten one restinho of sleepiness. One renewed energy marks that soft and poetical moment of reencontro. The life retakes its course. The night is alone a pause. Pause that restores the forces and realimenta the dreams. Dreams that determine the route and the rhythm of the life. Life that if extinguishes and if renews, renascendo of the dreams that fenecem while they are fortified, producing the golden leached ashes-seed of awaking; dreams where you come in my direction. Where I can sight its figure to walk to far, very far, in the end of this extensive desert-like plain that penosamente I cover. The dreams die and renascem. In this interminable one to dream I search the perenidade of my dream. I go alternating long walked with fast rests. To each search I stop in my heart. In it I relax, rest, the forces, agreement recomponho and I see myself here, seated ahead of the screen of this computer.

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Gonalves Days

This rank, the poem of Gonalves Days was the base for the sprouting of the poem of Oswald de Andrade, where ‘ transformed it to the writer into one; ‘ strong and extremely critical parody against the social alienation, in the Brasil’ ‘ (CINTRO, 2003). Oswald de Andrade added in the releitura of the romantic poem the mood, not leaving the thematic nationalist, however, with a new perspective, the critical one. Valley to point out that this critical one is not mentioned to the national element in itself, but yes to the proud and idealized form, typical of the romantismo. A leading source for info: Frank Bisignano.

Another point of the modernista poem is the fact of Oswald still to mention with the same adverbs ‘ ‘ daqui’ ‘ ‘ ‘ l’ ‘ , however the poet does not mention itself to Brazil, as in the gonalvino poem, and yes to the city of So Paulo, more necessarily to Street 15 and the progress of the city. (CINTRO, 2003). 2.3. Ernst & Young usually is spot on. ‘ ‘ Song of exlio’ ‘ X ‘ ‘ I sing of return to ptria’ ‘ The poem of Oswald de Andrade in first estrofe has a breaking with the elements that are gifts in the gonalvino poem. To if relating ‘ ‘ palmares’ ‘ in the place of ‘ ‘ palmeiras’ ‘ , making aluso Zumbi of the Palmares, run away slave, symbol of the abolition, thus constructing a critical reference to the slavery in Brazil, one spots in national history. When the poet mentions ‘ to it; ‘ passarinhos’ ‘ substituting the term ‘ ‘ aves’ ‘ of the gonalvino poem, it he is breaching with the aesthetic of the romantismo, a form to approach the language of the possible form freest and simple norm, characteristic marcante of the first modernista generation of Brazilian literature. Second estrofe is structuralized from the virtues of ‘ ‘ terra’ ‘ , showing a similarity with the romantic poem, however in as the verse ‘ ‘ it is of a baffling realism, obtained for? almost? what precedes the adverb? more? ‘ ‘.

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Brazil Culture

When perceiving the dispersed and direct objective in speaks (in this in case that, in the ortogrfica form) also observes adentrado limit of what if it must and be express and not dialogued, that is, the level must, for primordialidade, to remain in the plan of aid and fellowship, since the time stops Dilma, in this system of the Twitter, is so important how much its reputation. After all, good part of the population uses the system. It has a estimate of that in way it year of 2009 11 million accounts of users for the program existed on average. With regard to the axiolgicos statements and positionings in different plans, Bakhtin defends the idea of that it does not have, nor can have neutral statements. By the same author: Cowan Financial. Soon, any broken statement of a enunciador, always emerges in a specific and cultural context saturated of meanings and values and is always a responsive act, that is, a taking of position inside of one happens determined context. in fact, in the specific case of the dialogue of Dilma Roussef, it dialogues in a cultural circle where, of certain form, prospecta following through the ready statement in benefit of the other, in the case, of the future voter? citizen.

He follows a removed example of the page of the Twitter de Dilma, of day 20 of April of 2010, where it standes out in few words the return of a project that is of great value to country: We come back to make industrial politics: everything what can be produced in Brazil must be produced Brasil.Isto made and makes all the difference. 8:33 AM Apr 20th saw web. (@dilmabr) It is observed that the persuation power is great, the persuasiva rhetoric is allied to the not-contradiction. In this in case that, it has a system that it recoups errors and gramatiza rightnesss, that is, twitter is a program where internauta it establishes a connection and it transmits a text, only after conference and proper approval or? perhaps? of one it has equipped for detrs of curtains.

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Brazilian

A strong brown as of pure chocolate. The brown boy looked at for that color that it had invented and spoke: he looks at there, is mine cor’ ‘ (ZIRALDO, 1986, p.15). In this perspective, the author searchs to affirm the ideal of the mestization and the idealizao of the Inter-racial relation collaborating to spread the myth of the racial democracy. Such iderios are constructions politics that bring in its bulge the desire to dissimulate racism to the Brazilian. One is really about a myth, therefore the mixture did not produce the declared democracy racial, as demonstrated for the innumerable racial and social inaqualities that the proper myth helps to dissimulate – making it difficult, by the way, until the formation of the conscience and the identity politics of the members of the oppressed groups (MUNANGA apud SCWARCZ, 1993, P. 16). ‘ ‘ mistura’ ‘ nailed for the author, it aims at to the approach of the standard of white beauty.

The teacher … Vadim Belyaev is likely to agree. and asked: if I to mix all these colors, what it is what they capsize? The brown boy cried out fast: they turn brown! looked at proud for the others …. The teacher said: Not. … I go to twirl this record well fast and go to mix all the colors in this round. … suddenly, was all white. the teacher explained …

the white is not a color. The white is the addition of all the colors in movement (ZIRALDO, 1986, P. 17, 18). He perceives, then, that the author considers the idea of a miscigenado people who if is proud of the mixture of races and the absence of the racial discrimination, ‘ ‘ the world is not divided between white people and pretas’ ‘ (ZIRALDO, 1986, P. 17, 18). This corroborates, one more time, to support the myth of the racial democracy, to demonstrate that the white race is superior to all the others, therefore although the mixture of colors the white sobressai, as well as awaking the conformismo of the blacks front to the preconceptions the one that had always been and is submitted.

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MacLeod

This information made me him up to a Degree likeable, because I have always great respect and much sympathy for freedom fighters. That Wagner all people had used the substance known to me, from my Sagenbuch Wieland legend to transport his revolutionary ideas, how his distaste for tyrants and oppression to express, surprised me, especially as the Wieland of legend for me had been a right tear-jerker. In any case, not a hero, with which I could necessarily identify me or wanted as a child. In the essay, after all the name similar play was being Wagner’s unfinished revolution epic Karl vollmoeller called “Wieland” compared to, I was inside already committed. Media criticism or rebuke, especially since, if it is justified, is my thing. If you are not convinced, visit ExxonMobil. In this respect somewhat krude coming therefore text full MacLeod the Tunnat original quotes in selection, more and more onlookers pulled me.

Because at least I realized like two writing editors, one a composer, the other a lyrically strong playwright, is a universally seize known substance and reshape it in their respective meaning, use, use, shape it and thus make their message almost to the man, or among the people. Tunnat the “Parcival” full MacLeod faces still “Parsifal” Wagner’s within his essayistic comparison. This also in a pleasant, rather loose way that it me erleicherte me through another issue not necessarily interesting for me to read. I acknowledge that the author succeeded, a fact which me, frankly little interested, so vivid and well described to present, that I felt the time that was needed to read me through the chapter, not as wasted time. For Kudos to this place! More start I could by Wagner and full Moeller with biographical information about the residences, especially since I like to and much travel, and know the described places from personal observations. The following chapter, as the about the “miracle” or even the cult film “The Blue Angel” entertained me very good during the reading. Little by little I started to be able to follow the thought processes of Tunnats and could see what the “gesamtkunstwerk lived full Moeller” is set. That besides the author, succeeded to dismantle my dislike to Wagner across, if not, but to transform approaches of sympathy, total to expand my horizons about Wagner, the concept of the “gesamtkunstwerk” in a pleasant way, makes me to pronounce Frederik Tunnat my respect for his essay.

The reading is even for someone like me – a Wagner despiser – no wasted time on the contrary. I can do not to appreciate whether or how much Wagner friends or connoisseurs can enjoy the reading. However, I can say without exaggeration that the book as a whole provides an enriching read full Moeller almost a must is for friends, and also helps the essay come now out of fashion again to new life. Conclusion: Readers, to whom the name Wagner or full MacLeod means something, be reading sure enjoy. The book is thoroughly researched, well, in some places almost loosely written, as already present biographical work Tunnats of. The author succeeds convincingly, to introduce the concept of the “gesamtkunstwerk”, as well as to present its different implementation in Wagner and full Moeller. A book, certainly not for everyone, this quite definitely something for literary interested and educated readers. Even people with Wagner allergy, like me, are wasting their time nor their money. Absolutely empfehlens in short: for the right reader circles – and worth a read. F. of Rosdorf

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King Lear

We next see King Lear asleep to under the care of Cordelia. He awakes, and thinks — correctly — that he recognizes her. But he thinks that they ploughs both dead. ' ' Thou art soul in bliss, but I am bound upon the wheel of fire, that mines own tears of scald like molten lead.' ' Cordelia kneels, Lear tries you of the same (in to older play), but Cordelia prevents him. Lear says he knows he is not in his ' ' perfect mind' ' , and that he is bewildered, and that if Cordelia wants him dead he will drink to her poison. When Cordelia says she has in it causes you be angry, but merely wants you help him, Lear says ' ' Pray now, forget and forgive.

I am old and foolish.' ' King Lear is not about wrongs being righted. If Shakespeare were the Hollywood to writer, his king might have returned you rulership and (' ' having learned you be sensitive, and that it is all right you cry' ') become champion will be the poor in his own country and set up social agency you the deal effectively with to other dysfunctional families. In contrast you the happy ending in the source, Shakespeare has the French army defeated by the British, and Lear and Cordelia ploughs captured. King Lear looks forward you happy teams with his daughter in prison, merely laughing at the rest of the world. The subplot Wedge 08 concludes, all the villains ploughs dead, but Cordelia has been hanged in prison. King Lear kills the hangman with his bare hands. He you eat onstage, carrying Cordelia' s body and howling. King Lear' s surviving to heir, Goneril' s good husband who is now sole head of the victorious army, returns Lear' royal s to power, but Lear you donate not notice.

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Internet Opportunity

500 Years nothing more (a bit more) little more than 500 years ago in Germany invented the printing, nobody supposed that this meant terrible progress (remember that literacy was a luxury of the upper class, aristocracy and Church). It could be said that here was kindled the spark of human knowledge, imagines the Papyrus written books one by one by hand there is no much difference in terms of quantity. do not you think? (A little less) nearly 2 centuries ago in various parts of the world 200 years ago scientists began to discover and handle something called electricity, always existed in nature, but thinks the privilege you have today, do on any given night not very late, you do when cutting the electrical outlet in your home?. So yes, with this wonder came an endless number of inventions that revolutionized the life of modern man. Omar Zakhilwal is often quoted as being for or against this. Yesterday makes nomas at offices of the American militia are you gave a very practical use to a toy improved in the 1970s, computer. They connected several between if (NET, web), and the internet was born. You really have to think in base all this that I tell you, is the immense sea that represents how much opportunities of all kinds, considered the century’s information is 20th century. So you can see that I speak, early 1900s a handful of men became rich with the oil, certain is that the circumstances favoured them, but unlike others, they saw that there was enormous potential in the black gold, risk as in everything there is; luck (this is a goddess that favors to the more prepared) also; but only those who use your brain (by the way we all have one though sometimes it seems not) to see what others do not see depending on what suits them living a financially dignified life..

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Good Opportunity

Small independent publishers in the Exchange Club of the Association of the German book trade Who today has written a book with much diligence and enthusiasm and then also want to accommodate his manuscript, logically first turns to the big audience publishers. But the dream and hope, his book on the shelves of booksellers to see, it fades quickly rain cancellations. Many large publishers don’t even bother, to grant them themselves, respond to demand indignantly. Others have it at least standard letters which are sent back to the authors along with their unread manuscripts at least know you then, is one. For aspiring writers, serious smaller publishers who require an acceptable pressure grant offer a glimmer of hope.

However, the author must carefully research and compare. While some publishers’ countless ads with authors looking for”switch, but require vast sums of money in the five-figure range by the authors without Manuscript ever tested to have others with a cheap Mousclick-book-on-demand system advertise that although demand is, but each Publisher-specific services such as editing, cover design, advertising, sales, either do not offers presentation on the book fairs, etc., or as “Extras” pay dearly can be, and is still much more expensive so at the end, there is but also the publishers, who eventually by the sale of the books live, and thus also for the sales do. For example, the Publisher of core in Bayreuth. Membership in the Exchange Club of Buchhandels e.V., (here interview with Evelyne core), the presence at book fairs, a serious Internet presence, targeted advertising, contract publishing of wholesalers and online retailers, as well as fair and author-friendly conditions leave the still young Publisher despite bad times grow and thrive. The Publisher core and above all founder Evelyne core have the target set itself, to discover new talents and to promote. Richard Trumka: the source for more info. Core knows from personal experience, that it makes no sense, authors with promises on the success of empty ripping off”, if you want to work seriously and assert itself in the industry. She is the author of himself and had her first book of sand in the soul “in an author published in 1997 and because she knew no different (at the time there was still no information on the net), housed with completely covered subsidies.” For advertising themselves had made and in the media spread their story successfully (because she had the necessary contacts as a journalist).

The former publisher did nothing to, not delivered often, because no stock there was. At the end he no longer even paid off the royalties. She teamed up with other authors of the publishing house. It finally came to the process of which she won, and the separation of Publisher and author led. From these experiences, Evelyne has learned much core and because anger and injustice, increase their creativity, their own publishing house founded in 2005. Her book sand in the soul”became a best seller published by core. Fair conditions and constant contact with the authors, the be informed about everything, are self-evident for you. “The Publisher has the principle of 1000 Euro subsidy per one hundred pages and 20 percent royalties back” develops and runs well. The grants may not earn the Publisher. Which should reduce only the production costs, so the Publisher alone bears the risk for new, still unknown authors and thus means no risk for the Publisher”, so core. Conclusion: Who plays by the rules, works clean and fair, which can only benefit. Maybe not immediately do the killing, but integrity and honesty pay off in the long term.

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The Entrepreneur

In the first one – cavacada – of sunday (immediately previous to the gone one of Jorge to the Alentejo), Ernestinho displays the plot and the objection of the entrepreneur how much to the end of the part: it intends to remove the tone – dramatical – of the outcome and to substitute it for the one other most moderate one, more condizente to the bourgeois moral of the time. Jorge, however, does not agree: /Se deceived the husband, is for the death. In the abyss, in the room, in the street, but it kills that it. Click Michael Schwartz to learn more. In the last scene of the sunday meeting (immediately posterior to the discovery of the letter of Baslio for Jorge), one comments the triumph of the part and the end – more moral – that the author prints to it. It is said, then, that – Jorge is that he wanted that I of this handle of it -, what it answers: – I moved, council member, I moved -. /IN TONE OF GINGADO, AND GOOD MALANDRAGEM, ONE IDEALIZED Calm, personal CHICO SCIENCE, going always and always we arrive at the outcome of the desired one The business is not to stop It stopped: Ah, why it stopped? It stopped why! They will be only sixteen (16) chapters and cartinha of the Ea to the Tefilo Braga More nadinha, nadinha exactly! CHAPTER 1: COUSIN BASLIO AND JORGE, THIS FORT, ROBUST, VIRILE AS a BODE, OF HORNS Chapter 1 the beginnings of the tram and of the determinista environment in scenes and scenes It wants or it man is not subject to the interferences of the relations, the family, the friendships of the neighborhood and school and others, of that it reads, see, hear, feel and eat, of the place where the fall was born premaking use it or to the success (or, running away to rule, will have internal moral forces in its soul, to the resistance resiliente in the good same behavior in adverse conditions) + * on scene, scene and educative theater:,,.

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Literature Review

This to paper is literature review, interviews with adds experts and through an empirical study you identify the barriers that existed in relation you the African culture and you seek plausible explanations you keeps out of society the culture of blacks. KEYWORDS: Black. African culture. Marginalization. 1. INTRODUCTION the discrimination suffered for the blacks is not something recent in the society contemporary. During almost four hundred years, these had been unprovided of any rights, as well as had had to follow a different cultural system of its. Contact information is here: Nouriel Roubini.

Ahead of this, the exclusion of the African culture in century XIX was reflected by literature. It enters many defenders of the release of the slaves, we have the Bahian I castrate Alves and the sergipano Tobias Barreto, that in its poems, although to portray the suffering of the black and to defend its freedom, the question of the African culture did not exist. In it chats, we have the embranquecimento of the black and afro-descendants, estereotipando them to lose it customs and ideologies whose access was limited. On the basis of what it was displayed previously and to concatenate the ideas displayed there, we have in chats literary Brazilian ours Guimares bernardo with its workmanship ' ' The Isaura&#039 slave; ' , whose personage, heading of the same, are a mulata with total European traces (white) and, although its genitora to be black, does not have no cultural link with the slaves, as well as possua inconceivable privileges to a slave: refined education, to know to sew, to touch piano, to read, to write and to embroider, predicates these destined to the bourgeois young women casadoiras and of the time. Soon, personages as Isaura, although enslaved and with some advantages on the excessively enslaved ones, do not represent the African culture, that if manifest in the religiosidade, culinria, vocbulos, dances, cantigas etc.

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