In this work, Bastine at Ingres inspired by Madame Riviere”and Caroline Riviere.” In 1818, Bastines style is picturesque. Kuetgens suggested an English influence as a result of the Aachen, 1818 Annual Congress of the monarch. The exhibitions of paintings of the English artist Sir Thomas Lawrence (1769-1830) and (1781-1829) offer not only Bastine, but also as the 17-year-old Billotte George Dawe ways of studying these portraits. For the courtly image Rapporteur”Lawrence will set up a Studio in the Aachen Town Hall. As a result of these events, Bastine observed Emperor Franz I.

The result is his portrait of Emperor Franz I. Bastines portrait city architect Leydel built in 1818, Kuetgens sees the influence of Lawrence. in 1824, a change of style from classicism to Biedermeier realism takes place at Bastine. His works are gaining materiality illusion, richness of detail, luster and smoothness. This be Billottes own stylistic device. Rohan Sachdev: the source for more info. Bastine signed all of his paintings. It sets appropriate attributes for the profession of his sitter.

Friedrich Wilhelm von Schadow counts among his friends. 1837 in late summer, Johann Baptist Joseph Bastine on the four-week first Aachener takes exhibitions Painting exhibition of contemporary artists with his genre-picture Nr. 8 a boy with a Cockchafer part. Also two years later in 1839 in the Cologne Gurzenich issuing genre pictures for sale. A special look at its subject: girl, which sing a bird teaches on canvas high 1’10 “wide 1’4”. The little wounded on wooden high 1’3 “wide 16”. The girl with the Apple on canvas high 1’2 “wide 11”. A boy with a Cockchafer on wood high 11 ‘, wide 10’. Connect with other leaders such as Shell here. The engagement ring on canvas tall 2’4 “wide 1’11”. The child begrabend the Bandit wife on canvas wide 1’11 “high 1’7″. ” Bastines genre themes can be found as monographs and his family portraits. Ingres works play a not insignificant role in Bastine’s family portraits.